Photographers: January 2024

DECEMBER 2 - FEBRUARY 10

“Leiter is a rare artist, one whose vision is so encompassing, so refined, so in touch with a certain lyrical undertone that his best photographs occasionally seem literally to transcend the medium.”

- Jane Livingston, The New York School Photographs: 1936-63Saul Leiter was born in Pittsburgh, the son of an internationally renowned Talmudic scholar. Leiter's interest in art began in his late teens, and though he was encouraged to become a Rabbi like his father, he left theology school and moved to New York to pursue painting at age 23. In New York, he befriended the Abstract Expressionist painter Richard Pousette-Dart, who was experimenting with photography. His friendship with Pousette-Dart and soon after, with W. Eugene Smith, expanded his interest in photography. Leiter's earliest black and white photographs show an extraordinary affinity for the medium. By the 1950s, he began to work in color as well, compiling an extensive and significant body of work during the medium’s infancy. His distinctively subdued color often has a painterly quality that stood out among the work of his contemporaries.

Leiter’s first exhibition of color photography was held in the 1950s at the Artist's Club, a meeting place for many of the Abstract Expressionist painters of that time. Edward Steichen included twenty-three of Leiter's black and white photographs in the seminal 1953 exhibition “Always the Young Stranger” at the Museum of Modern Art; he also included twenty of Leiter’s color images in the 1957 MoMA conference “Experimental Photography in Color.” In the late 1950s, the art director Henry Wolf published Leiter's color fashion work in Esquire and later in Harper's Bazaar. However, over the next four decades, Leiter’s noncommercial work remained virtually unknown to the wider art world. He continued to work as a fashion photographer through the 1970s, contributing to such publications as in Show, Elle, British Vogue, Queen, and Nova.

Leiter is now held to be a pioneer of early color photography, and is noted as one of the outstanding figures in post-war photography. After several exhibitions at Howard Greenberg Gallery throughout the 1990s, Leiter’s work experienced a surge of popularity after a monograph, Early Color, was published by Steidl in 2006. Early Color was followed by a series of monographs and international exhibitions highlighting the depth and scope of his work in photography and painting, beginning with “In Living Color” (2006), his first major retrospective at the Milwaukee Museum of Art. Leiter was the subject of several solo shows thereafter, including the Fondation Henri Cartier-Bresson, Paris; the Jewish Historical Museum, Amsterdam; Musée de l’Elysée, Lausanne; and Diechtorhallen, Hamburg

Recent monographs include Early Black and White (2014), Painted Nudes (2015), In My Room (2017), All about Saul Leiter (2017), Fashion Eye: Saul Leiter New York (2017), The Unseen Saul Leiter (2022), The Centennial Retrospective (2023). Leiter’s work is included in the permanent collections of The Museum of Modern Art, New York; The National Gallery of Art, Washington, D. C.; The Whitney Museum of American Art, New York; Museum of Fine Arts, Houston; The Art Institute of Chicago, Chicago; Stedelijk Museum, Amsterdam; The Museum of Fine Arts, Houston; Victoria and Albert Museum, London and many other public and private collections. Leiter was the subject of an award-winning documentary by Tomas Leach, titled “In No Great Hurry: 13 Lessons in Life with Saul Leiter” (2012)