Gordon Parks: Camera Portraits from the Corcoran Collection

 

Gordon Parks
Husband and Wife, Sunday Morning, Detroit, Michigan (Bert Collins and Pauline Terry), 1950, printed later
gelatin silver print
image: 25.4 x 31.4 cm (10 x 12 3/8 in.)
sheet: 28.3 x 35.4 cm (11 1/8 x 13 15/16 in.)
National Gallery of Art, Washington
Corcoran Collection (The Gordon Parks Collection)
2016.117.150

National Gallery of Art

July 14, 2024, through January 12, 2025

Celebrated for his humanistic and insightful depictions of American life and experience, Gordon Parks (1912–2006) is one of the most distinguished photographers of the 20th century. In photo-essays published in Life, Ebony, Vogue, and Glamour magazines, his portraits of everyday people and well-known individuals address the central issues of his time: race, poverty, civil rights, and African American and American culture after World War II. Gordon Parks: Camera Portraits from the Corcoran Collection presents approximately 25 photographs he made from 1941 into the 1970s. They are primarily drawn from the National Gallery’s Corcoran Collection and are presented in collaboration with the Gordon Parks Foundation. The exhibition is on view from July 14, 2024, through January 12, 2025, in the West Building of the National Gallery of Art.

“Gordon Parks: Camera Portraits demonstrates how much of the power of Parks’s art resides in his ability to create compelling and revealing portraits,” said Sarah Greenough, senior curator and head of the department of photographs at the National Gallery of Art. “Whether he was photographing Ella Watson, a charwoman who toiled in a government office building, or the most celebrated people of the time, such as Duke Ellington, his portraits succinctly describe both the character of the person he depicted and the ways in which they elucidate larger social and cultural issues.”

“The Corcoran Collection of Gordon Parks’s work held a special significance for him during his lifetime,” said Peter W. Kunhardt, Jr., Executive Director, The Gordon Parks Foundation. “We are excited that these works can be highlighted alongside more recent acquisitions, showing the breadth and reach of Parks's work with his subjects.”  

About the Exhibition

Gordon Parks: Camera Portraits from the Corcoran Collection looks at how this celebrated American photographer forged a new mode of portraiture after World War II. By blending a documentary photographer’s desire to depict his subjects where they lived and worked with a studio and fashion photographer’s attention to dress, character, and expression, Parks was able, as he wrote in 1948, to show the "significance" of individuals "in relation to the era [they] represent.” He applied this approach to such American icons as boxer Muhammad Ali and conductor Leonard Bernstein, as well as to a Harlem gang leader and a Detroit couple, revealing the humanity and dignity of each person. Highlights include pictures of some of the most recognized figures of the last century, including contralto Marian Anderson, musician Duke Ellington, poet Langston Hughes, activist Malcolm X, and author Richard Wright, in addition to artists Alexander Calder and Alberto Giacometti.

Exhibition Organization and Support

The exhibition is organized by the National Gallery of Art, Washington.

Exhibition Curator

This exhibition is curated by Sarah Greenough, senior curator and head of the department of photographs, National Gallery of Art.

Gordon Parks
Langston Hughes, Chicago, December 1941, printed later
gelatin silver print
image: 37.5 x 38.1 cm (14 3/4 x 15 in.)
sheet: 41 x 50.5 cm (16 1/8 x 19 7/8 in.)
National Gallery of Art, Washington, Corcoran Collection (The Gordon Parks Collection)
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Gordon Parks
Trapped in abandoned building by a rival gang on street, Red Jackson ponders his next move, 1948
gelatin silver print
image: 49.2 x 39.7 cm (19 3/8 x 15 5/8 in.)
sheet: 50.6 x 40.8 cm (19 15/16 x 16 1/16 in.)
National Gallery of Art, Washington, Corcoran Collection (The Gordon Parks Collection)

Gordon Parks
Pastor Ledbetter, Chicago, 1953, printed later
gelatin silver print
image: 72.7 x 103.5 cm (28 5/8 x 40 3/4 in.)
framed: 75.9 x 104.3 x 3.8 cm (29 7/8 x 41 1/16 x 1 1/2 in.)
National Gallery of Art, Washington, Corcoran Collection (The Gordon Parks Collection)

Gordon Parks
Duke Ellington Listening to Playback, Los Angeles, 1960, printed later
gelatin silver print
image: 46.7 x 32.7 cm (18 3/8 x 12 7/8 in.)
sheet: 50.5 x 41 cm (19 7/8 x 16 1/8 in.)
mat: 61 x 50.5 cm (24 x 19 7/8 in.)
National Gallery of Art, Washington, Corcoran Collection (The Gordon Parks Collection)

Gordon Parks
Malcolm X Addressing Black Muslim Rally in Chicago, 1963, printed later
gelatin silver print
image: 56.2 x 41 cm (22 1/8 x 16 1/8 in.)
sheet: 60.6 x 51.1 cm (23 7/8 x 20 1/8 in.)
mat: 76.4 x 60.7 cm (30 1/16 x 23 7/8 in.)
National Gallery of Art, Washington, Corcoran Collection (The Gordon Parks Collection)

Gordon Parks
Muhammad Ali, 1966, printed later
gelatin silver print
sheet: 50.5 x 40.8 cm (19 7/8 x 16 1/16 in.)
image: 47 x 37.2 cm (18 1/2 x 14 5/8 in.)
mat: 61 x 51.5 cm (24 x 20 1/4 in.)
National Gallery of Art, Washington, Corcoran Collection (The Gordon Parks Collection)

Gordon Parks
Flavio da Silva, Rio de Janeiro, 1961
gelatin silver print
image: 34 x 23.4 cm (13 3/8 x 9 3/16 in.)
National Gallery of Art, Washington, Corcoran Collection (The Gordon Parks Collection)

Gordon Parks
Muhammad Ali, London, 1966
gelatin silver print
image: 33.8 x 23 cm (13 5/16 x 9 1/16 in.)
National Gallery of Art, Washington, Corcoran Collection (The Gordon Parks Collection)

Gordon Parks
Self-Portrait, 1941
gelatin silver print
image/sheet: 50.4 x 40.8 cm (19 13/16 x 16 1/16 in.)
mount: 70.2 x 55.3 cm (27 5/8 x 21 3/4 in.)
National Gallery of Art, Washington, Purchased as the Gift of Alan and Marsha Paller, Laura Arrillaga-Andreessen and Marc Andreessen via the Silicon Valley Community Foundation, Raj and Indra Nooyi, Mitchell P. Rales, David M. Rubenstein, and Darren Walker in honor of Sharon Percy Rockefeller

Gordon Parks
Washington, D.C. Government Charwoman (American Gothic), July 1942
gelatin silver print
image: 34 x 26.5 cm (13 3/8 x 10 7/16 in.)
sheet: 35.6 x 27.9 cm (14 x 11 in.)
National Gallery of Art, Washington, Corcoran Collection (The Gordon Parks Collection)